It’s been more than a month since I order my copy of the BBC’s wartime supplement prayer book, Each Returning Day: A Book of Prayers for Use in Time of War and I’ve not gotten it, so let’s move ahead with a few notes on New Every Morning I’ve picked up while we wait. This helps us understand how the book was used. I started this series here.
- The New SCM Dictionary of Liturgy and Worship described the Daily Service as “a simple daily office comprising a sentence of scripture, a hymn, a prayer, a Bible reading, psalmody, intercessions and thanksgivings, a closing hymn and blessing.” With descriptions in the Radio Times it should be possible to figure out how the service was set out.
- The New SCM Dictionary of Liturgy and Worship also notes that “[w]omen as well as men led the service.” Notes elsewhere about BBC staff leading the prayers suggests that it was a lay office. (Ordained women ministers from Dissenting churches did lead the fuller broadcast Sunday service in this period.)
- Winter’s Tale describes how tight the service was timed. For example, the Lord’s Prayer might be read at “anything between a brisk 24 seconds and a reverent 36” with blessings timed to choose one to fit the remaining time. It was 15 minutes long.
- In the article “Hymns on the Air” by Cyril Taylor (Hymn Society of Great Britain and Ireland bulletin, October 1947), we learn that the Daily Service “contains two hymns, the first being linked with the opening prayers of worship, thanksgiving, or confession, the second with the closing prayers of intercession.”
- The hymns came from Hymns Ancient and Modern and Songs of Praise (and didn’t vary as listeners followed along in their own books at home) plus metrical psalms and paraphrases “which we know will be particularly appreciated by listeners in Scotland.” Hymns were often shortened for time, and the tune was selected for its suitability for an octet, so none of the grand ones like “NUN DANKET or EIN’ FESTE BURG, or even OLD HUNDREDTH.”
- Not so relevant to our concern, but interesting all the same: the BBC had a studio specially consecrated, looking something halfway between a period office and a chapel, used until destroyed by German bombs. It was lovely and must have made religious broadcasting seem that much more special.